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Alexander Congress Ltd. 6 Ravenslea Road London SW12 8SB England fax: +44 (0)20 8772 1073 office@atcongress.net |
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| Presenter | Title |
Max. no?
|
| Beret Arcaya | The Singing Voice - Comparative Listening and Vocal Direction |
No
|
| Nili Bassan | Teaching the AT in the 21st Century: a Century of Transition |
30
|
| Glenna Batson | Face to Face |
20
|
| Glenna Batson | Graviceptors in the Spine: Research Support for the Use of Light Touch in the AT |
50
|
| Anne Battye | Themes and Variations: how we learn to love monkey, HOBC etc |
30
|
| Nelly Ben-Or | The Use of the Self in Music-making, Especially Piano Playing |
No
|
| Richard Brennan | Inhibition |
25
|
| Bob Britton | The Feet and the AT |
No
|
| Lawrence Bruce | Speaking Shakespeare's Sonnets |
8
|
| Tim Cacciatore | So what is the Alexander Technique, anyway? |
No
|
| Brigitte Cavadias | We Can Believe our Eyes |
20
|
| Jeremy Chance | Teaching Paradigms |
No
|
| Jean Clark | Basic Directions Revisited |
20
|
| Rivka Cohen | A lesson in the A.T. |
|
| Rivka Cohen | "The Discovery of the Primary Control Mechanism Within Ourselves Gives a New Understanding of our Psychophysical Being" |
|
| Anna Cooper | Standing: Humpty Dumpty or Homo Alexandrensis? |
No
|
| Diana Devitt-Dawson | Talking Hands Workshop |
No
|
| Gerda Druks-Kok | Alexander's Discoveries and Directions as a Means to Come into our own |
7
|
| Alex Farkas | Beyond Technique - Alexander's Hidden Aesthetic |
No
|
| Terry Fitzgerald | The Future of Teacher Education |
No
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| Joan Gavaler | Moment |
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| Robin Gilmore | Decoding Dancerspeak: practical language and bodymapping for dancers |
40
|
| Peter Grunwald | Eyesight, Vision and the Alexander Principle - the original discoveries of the eyebody pattern by Peter Grunwald |
No
|
| Beverley Hall | Understanding Group Dynamics |
14
|
| Jane R. Heirich | Where it all Began: the use of the breath and voice |
30
|
| Martyn Jones | Golfing with the Alexander Technique |
20
|
| Sumi Komo | "Alexander Technique and the Moving Arts: Yoga, T'ai Chi Chuan, and Dance" |
20
|
| Elizabeth Langford | The Ambush of Fear |
25
|
| Ilana Machover | The AT in Pregnancy and Childbirth |
20
|
| Vivien Mackie | Working with Musicians |
No
|
| Cathy Madden | Variations of a Teacher's Art: Creativity in Using and Teaching the Alexander Technique |
40
|
| Alex Maunder | Let Your Life Flow -Working with the Emotions in the Alexander Technique |
20
|
| Michael McCallion | Voice and Good Use |
12 +observers
|
| Jamie McDowell | A Developmental Context for Voicework for Alexander Teachers |
20
|
| Jamie McDowell | Personality Adaptations and the Alexander Technique |
20
|
| Sue Merry | A Workshop for Children of all Ages, Part II |
40
|
| Sue Merry | The Little School and Beyond |
No
|
| Jennifer Mizenko | Shall we Dance? The connection between the lead/follow relationship in social ballroom dance and AT principles |
30
|
| Carolyn Nicholls | From Reflective Practise to Effective Practise |
30
|
| Carolyn Nicholls | Gravity and Light |
|
| John Nicholls | Forward and Up: Back and Up |
No
|
| John Nicholls | Thinking, Feeling, Doing |
No
|
| Penny O'Connor | What is Presence on Stage? |
No
|
| Patricia O'Neill | Songs with Piano Accompaniment |
No
|
| Giora Pinkas | Click "Refresh"! Fine Tuning of Familiar Procedures |
20
|
| Giora Pinkas | FM Alexander Hand Analysis: A Surprising New Discovery |
No
|
| Betsy Polatin | Working with Performers |
20
|
| Tim Soar | Aikido, the Art of Non-Resistance |
16?
|
| Jane Staggs | Feet - The Final Frontier |
No
|
| Chris Stevens | Lies, Damn Lies and Research into AT - do any of these studies have real value? |
No
|
| Chris Stevens | What Would FM have Discovered and Learned Today? |
6
|
| Chris Stevens | What's Use Got to Do With It? |
No
|
| Angela Thompson | Applying FM Alexander's Principles to Yoga Postures |
20
|
| Ken Thompson | Many Facets of Self |
50
|
| Ken Thompson | Playful Procedures |
30
|
| Missy Vinyard | Speaking of Self |
7
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| Missy Vinyard | Training for the Spherologically Impaired: how to keep your eyes on the ball |
10
|
| Mervyn Waldman | The Classical Use of the Front Hand |
16
|
| MervynWaldman | The Effects of Poor Use on the Body's Viscera |
No
|
| Wolfgang Weiser | To Teach the Teacher - presentation of a project |
No
|
| Karen Wentworth | Use of Yourself Teaching on the Floor |
3
|
| JessicaWolf | The Art of Breathing |
14
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